Quote/s of the Day – 7 February – The Memorial of Blessed Mary of Providence HHS (1825-1871) and the Holy Souls in Purgatory
“Let us help and commemorate them. If Job’s sons were purified by their father’s sacrifice (Job 1:5), why would we doubt that our offerings for the dead bring them some consolation? Let us not hesitate to help those who have died and to offer our prayers for them.”
St John Chrysostom (347-407) Father and Doctor of the Church
“One of the holiest works, one of the best exercises of piety, which we can practice in this world, is to offer sacrifices, alms and prayer for the dead.”
St Augustine (354-430) Father and Doctor of Grace
“If it were but known how great is the power of the good Souls in Purgatory with the Heart of God and if we knew all the graces we can obtain through their intercession, they would not be so much forgotten. We must, therefore, pray much for them, that they may pray much for us.”
St John Vianney (1786-1859)
Blessed Mary of Providence HHS (1825-1871), friend of St John Vianney, was the Founder of Society of the Helpers of the Holy Souls their objective is assisting theHoly Ssouls in Purgatory through their service to the needy of the world. She said:
“If one of our friends was imprisoned in a house on fire, how we should rush to her help. Then think how we should try to deliver the Souls in Purgatory.”
Fifth Sunday in Ordinary Time +2021 Sexagesima Sunday (Traditional Calendar) +2021
Sexagesima Sunday is the second Sunday before the start of Lent, which makes it the eighth Sunday before Easter. Traditionally, it was the second of the three Sundays (Septuagesima is the first and Quinquagesima is the third) of preparation for Lent. Sexagesima literally means “sixtieth,” though it falls only 56 days before Easter.
Nostra Signora delle Grazie, o Nostra Signora del Capo chino / Our Lady of Grace, or Our Lady of the Bowed Head, Rome (1610) – 7 February:
Among the many miraculous images of the Mother of God through which she deigns to grant her favours, there is one in the Monastery Church of the Carmelites in Vienna, entitled the Mother of Grace, or Our Lady of Grace, also known also as Our Lady of the Bowed Head. In 1610 a Carmelite, Dominic of Jesus-Mary, found, among the votaries of an old altar, in the Monastery Church of Maria della Scala in Rome an oil painting of the Mother of God, dust-covered and somewhat torn, which grieved him. Taking it into his hands, he shook the dust off it and kneeling down venerated it with great devotion. He had the picture renovated and placed it on the shelf in his cell, where he made it the object of his love and supplications, in favour of those, who came to him in their necessities and afflictions. One night while he was praying fervently before the picture, he noticed that some dust had settled on it. Having nothing but his course woollen handkerchief, he dusted it with that and apologised, “O pure and holiest Virgin, nothing in the whole world is worthy of touching your holy face but since I have nothing but this coarse handkerchief, deign to accept my goodwill.” To his great surprise, the face of the Mother of God appeared to take on life and smiling sweetly at him, she bowed her head, which, thereafter, remained inclined. Fearing he was under an illusion, Dominic became troubled but Mary assured him that his requests would be heard – he could ask of her with full confidence any favour he might desire. He fell upon his knees and offered himself entirely to the service of Jesus and Mary and asked for the deliverance of one of is benefactor’s souls in purgatory. Mary told him to offer several Masses and other good works – a short time after, when he was again praying before the image, Mary appeared to him bearing the soul of his benefactor to Heaven. Dominic begged that all who venerated Mary in this image of Our Lady of Grace might obtain all they requested. In reply the Virgin gave him this assurance:
“All those who devoutly venerate me in this picture and take refuge to me will have their request granted and I will obtain for them, many graces but especially, will I hear their prayers for the relief and deliverance of the Souls in Purgatory.” Dominic soon after placed the image into the church of Maria Della Scala so that more devotees of Mary could venerate it. Many wonderful favours were and are obtained by those who honoured and invoked Mary here. Reproductions were made of Our Lady of Grace and sent to different parts of the world. After the death of Dominic the original painting was lent to Prince Maximilian of Bavaria. He gave it to the discalced Carmelites in Munich in 1631; they gave it to Emperor Ferdinand II of Austria and his wife Eleanore. After Ferdinand’s death, Eleanore entered the Carmelite convent in Vienna and took the picture with her. During the succeeding years the image was transferred to various places. Today, it is in the Monastery Church of Vienna. On 27 September 1931, it was solemnly crowned by Pope Pius XI – the 300th anniversary of arrival in Vienna.
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